Wimps

Meus caros, apresento a vocês o Paradisso.

Minhas aventuras cinéfilas saem do Wimps e saltam pra lá. Quem sabe assim eu ganho mais empolgação pra mantê-lo.

Os posts aqui do Wimps permanecerão, mas pretendo importar o que está aqui pra lá.

Pra inagurar esse Blog eu queria uma integração com IMDB maior. Como não consegui, fiz meu próprio plugin na unha, debundando a minha entrada para o mundo de plugins WordPress. Se quiser fazer o download, clique aqui e baixe o IMDB Get Data.

Sem citação ou vídeo por ser uma adaptação mal e porca de literatura de cordel.
Se não sabe fazer direito, não faça, por favor.

-38

O Homem Que Desafiou o Diabo – Moacyr Góes – 2007 – Brasil

Neville: [talking to Anna about Bob Marley] He had this idea. It was kind of a virologist idea. He believed that you could cure racism and hate… literally cure it, by injecting music and love into people’s lives. When he was scheduled to perform at a peace rally, a gunman came to his house and shot him down. Two days later he walked out on that stage and sang. When they asked him why – He said, “The people, who were trying to make this world worse… are not taking a day off. How can I? Light up the darkness.”

+8

I am legend – Francis Lawrence – EUA – 2007

[Tony empties his gun through the wall, hitting both Boris and Tyrone. He comes in, reloading]
Bullet Tooth Tony: What’s Boris doing here? Boris, what are you doing here?
Boris ‘The Blade’ Yurinov: Fuck you!
[Tony shoots him twice, then turns to Tyrone]
Bullet Tooth Tony: Where’s the case?
Boris ‘The Blade’ Yurinov: Uhhh, you piece of crap…
Bullet Tooth Tony: Don’t take the piss, Boris.
Boris ‘The Blade’ Yurinov: [reaching for his gun] I show you…
[Tony shoots him four more times]
Boris ‘The Blade’ Yurinov: Fuck you!
[a seventh time]
Boris ‘The Blade’ Yurinov: Almost had it…
Bullet Tooth Tony: For fuck’s sake…
[Tony takes careful aim and fires an eighth shot. Sound of Boris finally collapsing]

+103

Snatch – Guy Richie – 2000 – Reino Unido

Dr. Wagner: You must protect her from any kind of excitement. And I do mean any kind, Mr. Kerner.
Alexander Kerner: Any kind of excitement.
Dr. Wagner: It would be life-threatening.
Alexander Kerner: And this here?
[Shows the doctor a newspaper reading "Good Luck, Germany. Yes to Reunification"]
Alexander Kerner: Wouldn’t you call this exciting?

+77

Good Bye, Lenin! – Wolfgang Becker – 2003 – Alemanha

Female Psychaitrist: I’m going to show you a picture, and you tell me what that person might say.
Alex: Oh
Female Psychaitrist: Let’s Begin
[Changes to a slide with two people looking at a peacock]
Female Psychaitrist: “Isn’t the plumage beautiful?”
Alex: I’m supposed to say what the other person would say?
Female Psychaitrist: Yes, just tell me the first thing that comes to your mind.
Alex: Cabbages, knickers, It hasn’t got A BEAK!
Female Psychaitrist: Good.
[Changes slides to a man climbing into a naked woman's bedroom]
Female Psychaitrist: “What do you want?”
Alex: No time for the ol’ in-out, love. I’ve just come to read the meter!
Female Psychaitrist: Alright.
Alex: [Laughs]
Female Psychaitrist: [Changes slide to woman handing bird eggs to a man] “You can do whatever you like with these.
Alex: Eggiweggs. I would like… to smash them. And pick them up, and THROW-
[moves injured arm]
Alex: OW! Fucking hell! So did I pass?

+120

A Clockwork Orange – Stanley Kubrick – 1971 – Reino Unido

[first lines]
Mr. Brown: Let me tell you what ‘Like a Virgin’ is about. It’s all about a girl who digs a guy with a big dick. The entire song. It’s a metaphor for big dicks.
Mr. Blonde: No, no. It’s about a girl who is very vulnerable. She’s been fucked over a few times. Then she meets some guy who’s really sensitive…
Mr. Brown: Whoa, whoa, whoa, whoa, whoa… Time out Greenbay. Tell that fucking bullshit to the tourists.
Joe: Toby… Who the fuck is Toby? Toby…
Mr. Brown: ‘Like a Virgin’ is not about this nice girl who meets a nice fella. That’s what “True Blue” is about, now, granted, no argument about that.
Mr. Orange: Which one is ‘True Blue’?
Nice Guy Eddie: ‘True Blue’ was a big ass hit for Madonna. I don’t even follow this Tops In Pops shit, and I’ve at least heard of “True Blue”.
Mr. Orange: Look, asshole, I didn’t say I ain’t heard of it. All I asked was how does it go? Excuse me for not being the world’s biggest Madonna fan.
Mr. Orange: Personally, I can do without her.
Mr. Blue: I like her early stuff. You know, ‘Lucky Star’, ‘Borderline’ – but once she got into her ‘Papa Don’t Preach’ phase, I don’t know, I tuned out.
Mr. Brown: Hey, you guys are making me lose my… train of thought here. I was saying something, what was it?
Joe: Oh, Toby was this Chinese girl, what was her last name?
Mr. White: What’s that?
Joe: I found this old address book in a jacket I ain’t worn in a coon’s age. What was that name?
Mr. Brown: What the fuck was I talking about?
Mr. Pink: You said ‘True Blue’ was about a nice girl, a sensitive girl who meets a nice guy, and that ‘Like a Virgin’ was a metaphor for big dicks.
Mr. Brown: Lemme tell you what ‘Like a Virgin’ is about. It’s all about this cooze who’s a regular fuck machine, I’m talking morning, day, night, afternoon, dick, dick, dick, dick, dick, dick, dick, dick, dick.
Mr. Blue: How many dicks is that?
Mr. White: A lot.
Mr. Brown: Then one day she meets this John Holmes motherfucker and it’s like, whoa baby, I mean this cat is like Charles Bronson in the ‘Great Escape’, he’s digging tunnels. Now, she’s gettin’ the serious dick action and she’s feeling something she ain’t felt since forever. Pain. Pain.
Joe: Chew? Toby Chew?
Mr. Brown: It hurts her. It shouldn’t hurt her, you know, her pussy should be Bubble Yum by now, but when this cat fucks her it hurts. It hurts just like it did the first time. You see the pain is reminding a fuck machine what it once was like to be a virgin. Hence, ‘Like a Virgin’.
Joe: Wong?

Fuckin’ +150

Reservoir Dogs -  Quentin Tarantino – 1992 – EUA